Title:

Louis Armstrong And His Hot Four With Lillie Delk Christian / Louis Armstrong With Bertha Chippie Hill - Rare Recordings Of The Twenties Vol. 3 download free

Performer:

Louis Armstrong And His Hot Four

Album:

Rare Recordings Of The Twenties Vol. 3

Country:

Italy

Released:

1972

Genre:

Jazz

Style:

Big Band, Swing

MP3 archive size:

1809 mb

FLAC archive size:

1501 mb

WMA archive size:

1616 mb

Other formats:

RA MP2 AC3 WMA AIFF MMF ASF

Rating:

4.5

Votes:

347

Louis Armstrong And His Hot Four Big Band Swing 1972 Italy

Download links

Louis Armstrong And His Hot Four - Rare Recordings Of The Twenties Vol. 3
MP3 album RAR archive

1501 downloads at 24 mb/s

Louis Armstrong And His Hot Four - Rare Recordings Of The Twenties Vol. 3
FLAC album RAR archive

1616 downloads at 25 mb/s

Tracklist Hide Credits

Chicago, June 26, 1928
A1	–Louis Armstrong And His Hot Four With Lillie Delk Christian	You're A Real Sweetheart Written-By – Friend, Ceasar
A2	–Louis Armstrong And His Hot Four With Lillie Delk Christian	Too Busy Written-By – Cohn, Miller
A3	–Louis Armstrong And His Hot Four With Lillie Delk Christian	Was It A Dream Written-By – Spier, Coslow
A4	–Louis Armstrong And His Hot Four With Lillie Delk Christian	Last Night I Dreamed You Kissed Me Written-By – Lombardo, Kahn
Chicago, December 11, 1928
A5	–Louis Armstrong And His Hot Four With Lillie Delk Christian	I Can't Give You Anything But Love Written-By – Fields - McHugh*
A6	–Louis Armstrong And His Hot Four With Lillie Delk Christian	Baby Written-By – Fields - McHugh*
Chicago, December 12, 1928
A7	–Louis Armstrong And His Hot Four With Lillie Delk Christian	Sweethearts On Parade Written-By – Lombardo, Newman
A8	–Louis Armstrong And His Hot Four With Lillie Delk Christian	I Must Have That Man Written-By – Fields - McHugh*
Chicago, November 23, 1926
B1	–Louis Armstrong With Bertha Chippie Hill*	Pratt City Blues Written-By – B.C. Hill, R.M. Jones
B2	–Louis Armstrong With Bertha Chippie Hill*	Pleadin' The Blues Written-By – B.C. Hill, R.M. Jones
Chicago, February 23, 1926
B3	–Louis Armstrong With Bertha Chippie Hill*	Trouble In Mind Written-By – R.M. Jones*
Chicago, November 26, 1923
B4	–Louis Armstrong With Bertha Chippie Hill*	Lovesick Blues Written-By – C. Friend, F. Mills
B5	–Louis Armstrong With Bertha Chippie Hill*	Lonesome Weary Blues Written-By – R.M. Jones*
Chicago, November 9, 1925
B6	–Louis Armstrong With Bertha Chippie Hill*	Low Land Blues Written-By – R.M. Jones*
Chicago, February 23, 1926
B7	–Louis Armstrong With Bertha Chippie Hill*	Georgia Man Written-By – Richard M. Jones
Chicago, November 23, 1926
B8	–Louis Armstrong With Bertha Chippie Hill*	Mess Katie Mess Written-By – Eller, Kapp

Credits

Vocals – Bertha Chippie Hill* (tracks: Side B), Lillie Delk Christian (tracks: Side A)

Notes

Do you like Jazz 26
Aimez Vous le Jazz 26

Collection supervisée Henri Renaud

Barcode and Other Identifiers

Matrix / Runout (side 1): 65 380-A
Matrix / Runout (side 2): 65 380-B
Rights Society: STEMRA
Other (price code): Ⓑ

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
65380	Louis Armstrong And His Hot Four With Lillie Delk Christian / Louis Armstrong With Bertha Chippie Hill*	Louis Armstrong And His Hot Four With Lillie Delk Christian / Louis Armstrong With Bertha Chippie Hill* - Rare Recordings Of The Twenties Vol. 3 ‎(LP, Comp)	CBS	65380	Italy	1973

Ericaz

The most bipolar album ever released. Side 1 is tunetful, uptempo Tin Pan Alley stuff with lots of fun rhythm changes and a bustling '20s Chicago vibe. Pops provides a guest vocal on "Too Busy." Lillie Delk Christian has the cutest voice ever recorded, and -- contrary to what jazz snobs have written -- can be very expressive and poignant, as on "You're a Real Sweetheart," "Last Night I Dreamed You Kissed Me," and "Sweethearts on Parade." Every selection feels like a film sequence.On Side 2, Bertha Chippie Hill does not merely sing the blues: she gives you the blues. Trying to get lowdown on "Lovesick Blues," she is merely unpleasant. Even Pops ain't at his best with her. "Georgia Man" is the refreshing exception, a subtle, midtempo thing that sorta swings. Bertha's voice is rough, but not gully rough -- the Bob Geldof to Ma Rainey's Johnny Rotten.

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